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Senior Sound Designer

You are always the sound critic when you go to concerts, but, unlike others, you really understand how they're playing. Your friends don’t get it, but interactive sound is what you feed off of – you observe how things around you interact with sound and the melody behind that.
When you hear the title HITMAN, you are immediately immersed in a world of sound that encapsulates this franchise. We are continuing our exciting work on HITMAN 3's post-launch content, and we are looking for a Sound Designer to be the centerpiece of owning the sound of HITMAN 3 Live. You will continue and create the experience that resonates for years to come and is enjoyed by millions of players worldwide.
If you’ve been frantically nodding at this description since you started reading it, we would like to meet. You might be our new Sound Designer.
The role is open in our Malmö, Barcelona or Copenhagen studio.

What you will do:

• Work closely with the HITMAN 3 Live developer team to set out the audio process that follows the game direction.
• Design sound effects and audio assets from pre-recorded material, or create them through synthesis and recording.
• You will then equally improve and implement them in our proprietary tools, with a close ear on the combined game experience.
• Get to be part of it all – from initial sound design of HITMAN 3 Live and technical considerations of sound implementation, to collaboration with different teams involved in game development.
• Be a core part of delivering interactive audio and solutions, that match our tradition of outstanding, immersive game experiences.

• You are sociable, have strong sense of ownership, and enjoy both sharing your knowledge and learning from your team.
• You are able to work independently and take lead on sound design for a project.
• You are so familiar with the ballgame of interactive sound design, that you move through logic scripting, audio assets, and mixing with impressive dexterity.
• You are relentlessly improving sound, creating prototypes, implementing, and have a knack for communicating your creative choices.
• You have +3 years experience designing sound and have done so for at least one AAA title.
• You are highly versed in implementing sound by scripting in Frostbite, Unreal, Unity or any AAA game engine.
• You are a virtuoso of Wwise and/or FMOD.

• You have a Bachelor or Master in sound/audio design or similar work experience.
• A generalist background but if you have a specialty, then let us know. We would love to know what you can bring to the table that we may need!